“That shows how far it has gone,” she told him, “that you don’t even know it. You pretend to be a philosopher. But you’re really a man.” There came another opening of the door. A little hairy man entered. He wore spectacles and was dressed in black. He carried a paper parcel which he laid upon the table. He looked a little doubtful at Joan. Mary introduced them. His name was Julius Simson. He shook hands as if under protest.!

“He who in his heart—” there was verse and chapter for it. Joan was a murderess. Just as well, so far as Joan was concerned, might she have taken a carving-knife and stabbed Deacon Hornflower to the heart. It seemed to just fit in. She would run down and spend a few quiet days at Liverpool. In her old familiar room where the moon peeped in over the tops of the tall pines she would be able to reason things out. Perhaps her father would be able to help her. She had lost her childish conception of him as of someone prim and proper, with cut and dried formulas for all occasions. That glimpse he had shown her of himself had established a fellowship between them. He, too, had wrestled with life’s riddles, not sure of his own answers. She found him suffering from his old heart trouble, but more cheerful than she had known him for years. Arthur seemed to be doing wonders with the men. They were coming to trust him.

“I shall try to win you over, I warn you,” he said. “Politics will never reform the world. They appeal only to men’s passions and hatreds. They divide us. It is Art that is going to civilize mankind; broaden his sympathies. Art speaks to him the common language of his loves, his dreams, reveals to him the universal kinship.” “I wish this wretched business of the paper hadn’t come just at this time,” said Joan: “just when your voice is most needed. “I’m not indifferent to it,” answered Joan. “I’m reckoning on it to help me.”